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The members themselves have described their music as "future fusion metal". MNEMIC’s music is a bit hard to categorize and since I hate stupid tags I won’t even bother trying to name what they play, I will just try to describe it. This is their third full-length album (all three albums have been released through Nuclear Blast) and their first one with their new singer Guillaume Bideau. Formed in 2002, they have up to now shared the stage with bands such as DARKANE, MYSTIC PROPHECY, DISBELIEF, MACHINE HEAD and DEATH ANGEL. MNEMIC (which stands for Mainly Neurotic Energy Modifying Instant Creation) is one of Denmark’s finest acts. So, after their first two successful albums, MNEMIC deliver one more album that shows how should "modern" Metal sound like! Enjoy. This time, its title is one small word and nothing weird like their debut album "Mechanical Spin Phenomena" (2003). Bleed the Sky is an album that will please genre fans without fail.Īt last! After three years (this album is going to be released in February), MNEMIC release one more masterpiece. For those who seek melody, check out "Down to None," which boasts a cheerful chord progression and a funky arrangement comprised solely of flute samples and drum loops. "Look at Me Now" gives Carl Randolph a chance to shine above the fray with slapping bass grooves that allow for breathing room before Reveille 's relentless brick wall of sound kicks back in. Guitarists Steve Miloszweski and Greg Sullivan steer the ship, often riffing in unison amidst layers of distortion, though the Middle Eastern themes they weave into the title track offer a much needed change of pace. Bleed the Sky is all about loud guitars and permutations of pentatonic riffs that have kept hard rockers in ecstasy since Black Sabbath botched a few simple blues licks and changed the face of rock music. Lyricist/vocalist Drew Simollardes is perpetually pissed-off, cursing out the world around him with spit-fire foul mouthed diatribes that would cause Eminem to shudder. In the competitive realm of melodic death metal, Arch Enemy continues to evolve and remain vital.Īs the title of this disc suggests Reveille belts out rap-metal/rap-core with a bad attitude. "Slaves Of Yesterday" and "Machtkampf" brandish ripping solos and keen note choice, while "I Am Legend/Out For Blood" grooves with old-school thrash abandon. "Mechanic God Creation" beats with a classic metal heart, intensified by modern and extreme metal touches.
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DOOMSDAY MACHINE carries the torch of memorable, riff-laden metal established on Arch Enemy's previous albums, a sound fueled by the guitar work of brothers Chris and Michael Amott (the latter formerly of Carcass). The German-born Angela Gossow replaced original bellower-from-hell Johan Liiva in 2001, and not only does Gossow deliver a brutal death-metal vocal sound that rivals Chuck Schuldiner (Death) and Dani Filth (Cradle Of Filth), but the once-unknown metal goddess has lunged Arch Enemy into metal's big leagues. As the first band of its kind to feature a female vocalist, Arch Enemy is a bona fide pioneer. Arch Enemy: Angela Gossow (vocals) Michael Amott, Christopher Amott (guitars) Sharlee D'Angelo (bass guitar) Daniel Erlandsson (drums).